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City Girl for the Cowboy Daddy

Page 139

by Lucky Moon

I’d made eggs. I’d held her while she cried. I’d put her to bed.

That wasn’t the same as earning this. This was hers — the sleep, the meals, the clarity, the quick mind working at full capacity because the body underneath it had finally been given enough fuel and rest to operate the way it was built to. I’d held the line. She’d walked across it.

The pride sat in me anyway, warm and unearned, and I drank my water and didn’t mention it, and she looked up from the yellow pad and caught me looking at her and raised one eyebrow.

“What?”

“Nothing.”

“You’re making a face.”

“I’m not making a face.”

“You’re making the face where you’re thinking something and pretending you’re not. I’ve catalogued your faces, Cash. You have six.”

“I have six faces?”

“Seven if you count the one where you’re trying to figure out which face you’re making.”

I laughed. She smiled. The smile stayed.

I went back outside and spent the afternoon digging post holes and thinking about the sound of her voice when she’d said “revolutionary discovery,” and the pride sat in me like the creek used to sit in the valley — present, steady, something I was grateful to stand beside.

***

Dinner was leftover chili, reheated on the hot plate, with the last of the bread toasted and buttered. She ate two bowls again. I was starting to suspect my father’s recipe was less a recipe than a recruitment tool.

We cleared the dishes together. She washed, I dried. Her left hand worked the sponge, her right wrist rested on the counter beside the sink, and she didn’t favor it dramatically or mention it. The bandage was holding. The swelling had receded enough by evening that she’d unwrapped it, examined the joint, flexed her fingers twice, and rewrapped it with a fresh bandage from her bag — all without asking for help, but also without hiding it.

Progress looked different on Priya. It looked like a woman who unwrapped her own wrist and let you watch.

The dishes went in the rack. The towel went over the oven handle. The table was clear.

This was the moment.

I knew it because I’d been living in it for weeks. The table cleared, the dishes done, the evening settling into the quiet that came after the work stopped and before the night began. Every night until now, this was when she reached for the clipboard. Or the phone. Or the yellow pad. Or the haulage sheets. Or the budget spreadsheet on the laptop. Some instrument of productivity, selected and deployed with the efficiency of a woman who had never met a blank minute she couldn’t fill with a deliverable.

She didn’t reach for the clipboard.

She stood at the counter. Her hand went to the shelf — the shelf where the clipboard lived, the phone lived, the pen I wasn’t allowed to touch lived. Her fingers touched the clipboard’s edge.

Then they moved past it.

She picked up the pen.

The good pen. The one she’d stopped me from using the morning we’d signed the agreement, the one she kept capped and separate from the others, the one whose ink was darker and whose weight was different and whose significance in her personal hierarchy of objects I’d learned to respect without understanding.

She pulled a haulage sheet from the stack on the shelf. The top one — a page of discharge calculations, water volume figures, the numbers she’d been building the budget around. She turned it over.

The back was blank.

She sat down at the table. Uncapped the pen. Set the tip against the paper.

And stopped.

Her hand hovered. The pen tip hung a quarter inch above the blank surface, and I watched her fingers tighten around the barrel, and I saw the moment — the exact second — where the part of her that ran on deliverables and deadlines and measurable outcomes caught up with the part of her that had sat down to do something that didn’t have a deadline.

She glanced at me.