City Girl for the Cowboy Daddy
Page 146
The question should have been easy. It was the question men asked, the question that put the work back on you — decide, direct, perform, tell me what you need so I can provide it and feel good about providing it. The question that made sex another project to manage.
But his voice was different. His voice was the low register, the one that filled the room, the one that said I’m here and I’m not going anywhere and you don’t have to earn this. And his hands on my knees were still, and his eyes were on mine, and the question wasn’t asking me to decide. It was asking me to want.
“I don’t know,” I said. The honesty surprised me. “I don’t know what I want. I know I want you. I don’t know the rest.”
“That’s fine.”
“Is it?”
“That’s the whole point, little one. You don’t have to know. You just have to let me.”
His hands moved from my knees to the button of my jeans. He undid it. Drew the zipper down. His fingers hooked the waistband and he paused. “Okay?”
“Okay.”
He pulled them down. I lifted my hips and the denim slid over my thighs, my knees, my calves, and he folded them and set them on the frame beside the boots. I sat on the bed in my bra and underwear and the bandage on my wrist, and the lamp from the other room threw long light through the doorway that caught the line of my legs and the curve of my hip and left the rest in shadow.
He stood. Pulled his shirt over his head. The rodeo belt buckle caught the light — the one from his last circuit win, the one he wore daily, the one I’d seen a hundred times across the arena and the table and the yard. He set it on the frame beside my jeans. His boots followed. His jeans.
He was beautiful. Rangy and lean, the athlete’s build gone to wire and sinew, the left shoulder sitting slightly lower than the right where the rodeo had rearranged something structural. A scar across his ribs — old, silver, the memory of a horn or a fence or a fall. The muscles of his stomach moved when he breathed.
He came back to the bed. Sat beside me. His hand found the bare skin of my back, and the contact was warm — his palm flat against my spine, his fingers spread, the calluses rough against the smooth skin between my shoulder blades.
“Lie down,” he said.
I lay down. The pillow took my head. The wool blanket was under me, rough against my back, and the pine frame was solid beside my hip, and the ceiling was close and dark and the lamp made shapes on it.
He lay beside me. Propped on his left elbow, his right hand on my stomach, his fingers tracing a slow line from my navel to the edge of my underwear and back. Not reaching under. Not pushing. Tracing. The motion of a man who had all night and intended to use it.
“I’m going to touch you,” he said. “And you’re going to tell me if it’s too much or not enough. But you’re not going to decide what happens next. I am. That’s the deal tonight.”
“Okay.”
“Say it.”
“You decide. I don’t have to.”
“Good girl.”
His hand moved under the elastic of my underwear. Slow. His fingers found me — warm, already wet, the evidence of what his voice and his hands and his patience had been building for weeks. He touched me where I was most sensitive, and the contact was light, exploratory, the careful pressure of a man who was learning the geography before he committed to the route.
I made a sound. Small. Involuntary. The sound I’d made on the porch when he’d kissed me, but lower, and it came from deeper, and I heard it leave my mouth and felt my face heat with the vulnerability of it.
“There it is,” he said. Softly. “Don’t hide that. I want to hear you.”
His fingers moved. Slower than I wanted. Slower than I would have asked for if I’d been the one deciding, because I would have decided faster, more efficient, the way I decided everything — get to the outcome, hit the mark, deliver the result. But I wasn’t deciding. He was. And his pace was a language that said this isn’t a deadline. This isn’t a deliverable. This is the thing itself, and the thing itself takes as long as it takes.
His mouth found my breast. Through the bra first — the fabric between his lips and my skin, the warmth and the pressure and the slight scrape of teeth on the cup’s edge. Then his hand reached behind me and unhooked it and drew it off and his mouth found my skin and I arched off the bed, my left hand gripping the wool blanket, my right wrist resting on the pillow beside my head where he’d placed it, and the dual sensation — his mouth, his fingers — built in me in waves that had no schedule and no agenda and no endpoint I could see.
He didn’t rush. When my breathing quickened, he slowed. When I pressed toward his hand, he eased back. When I made the sound again — louder, less controlled — he said “I know” against my skin and kept the same pace, and the keeping was the cruelty and the kindness and I couldn’t tell them apart and didn’t need to.
“Daddy,” I said. The word came out broken, syllables scattered, and I heard myself say it and heard what it sounded like — not a title, not a role, but the sound of a woman asking for something she couldn’t name from the only person she trusted to give it.
“I’ve got you,” he said. “Let go.”
I let go.
The orgasm came in a long, slow crest that I couldn’t rush and couldn’t stop and couldn’t manage. It moved through me in waves — my stomach, my thighs, the arch of my back, the grip of my left hand on the blanket — and I heard myself making sounds I didn’t recognize, low and unguarded, the voice of the woman who drew cows and giggled at bean plates and said “goodnight, Daddy” in the dark.