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The scenic divider rolled across the passage.
“Sybil!”
Damien’s voice came from the other side.
The divider slammed against the opposite stop.
I spun and grabbed its edge.
It didn’t move.
“Damien?”
“I’m here.”
His radio clicked a fraction of a second later.
“Stay where you are. I’m taking the outside path.”
Then movement sounded behind me, and it wasn’t Damien.
I turned.
Grant Bellamy stepped into the emergency glow with a steel mallet in one hand.
For a second, he looked like someone who could plausibly be there: a former employee, an old supervisor, a man O’Shea had questioned.
Then I saw the way he gripped the mallet, ready to swing. He wasn’t carrying a tool from one job to another. He was carrying a weapon.
I raised the radio.
“Damien, Grant’s here. I’m moving toward the rear exit.”
“Go.”
I ran.
Grant came after me.
My boots hit the packed flooring hard enough to jar my knees as I cut through the transition toward the rear route.
The emergency lighting was enough. I knew the set without show lights: where the walls were, where the openings were, and what I had changed.
“Sybil!”
Grant’s voice hit the wall behind me.
I ignored him.
The lane divided ahead.
The old return path would have sent me back toward the attraction.
The current route turned right behind a set wall and led out toward the rear emergency lane.
Grant angled left toward the old return path.
Last year, I would have followed it. I took the right-hand opening.